18:47 Relight

AI relighting
to any hour.

AI relighting to any hour.

Pick an hour and Glimr’s AI moves the sun, sky and every shadow in the shot to match. A minute of footage renders in about 41 seconds on Editor.

The plate as shot: the reed house under a flat noon skyThe same frame after Glimr: golden hour with a low sun on the rightPlate, 12:30Glimr, 18:47
The plate as shot: the reed house under a flat noon skyThe same frame after Glimr: golden hour with a low sun on the rightPlate, 12:30Glimr, 18:47
The plate as shot: the reed house under a flat noon skyThe same frame after Glimr: golden hour with a low sun on the rightPlate, 12:30Glimr, 18:47

18:50 Before and after

Same frame, six hours later.

Drag the line. The left side is the plate as shot, flat under cloud at 12:30, and the right side is one Glimr pass to 18:47.

19:05 How the AI works

Four AI passes before any render.

  1. Glimr estimates how far every pixel sits from the lens, so the house, the reeds and the far bank each catch the new light at the right strength.

  2. Wood, glass, water and reeds each take light differently. Glimr tags every surface, so glass flares, water mirrors the new sky and timber stays matte.

  3. Glimr finds the sun, the sky and every lamp in the frame and measures each one, so you can switch them off, move them or add new ones.

  4. Glimr cuts the sky from the land with a soft edge, then rebuilds it for the new hour and keeps every cloud in its shape.

Depth pass of the reed house shot, near reeds bright and the horizon dark
depth 4 m to 380 mA014_C003

21:05 Practical lights

Add lights in post.

Turn on any window or lamp in the shot. Glimr casts the glow onto the walls, deck and reeds around it, and keeps the stars in the sky.

The reed house at night with its windows lit by Glimr
21:05 night · 7400 K · 3 lights onA014_C003
2700 K practicals, falloff 3.2 m

4 cameras
matched across 6 episodes

“Match flagged 14 of 1,180 shots, most of them with a clipped sky. We graded those by hand and kept every other shot as Glimr left it.”

“Match flagged 14 of 1,180 shots, most of them with a clipped sky. We graded those by hand and kept every other shot as Glimr left it.”

“Match flagged 14 of 1,180 shots, most of them with a clipped sky. We graded those by hand and kept every other shot as Glimr left it.”

Petra Moerk, head of color, Pellmar Post, Low Water

21:30 Questions

Before you relight a shot.

A dark barn on a gravel shore at first light

06:10 Get started

Relight the shot you couldn’t reshoot.

5 free hours every month. No card needed.

glimr

AI relighting and color grading for video teams.

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