AI relighting and color grading software

Relight any shot
without a reshoot.

Relight any shot without a reshoot.

Glimr’s AI reads the depth and light in the footage you already shot and relights it to the hour you pick, in about 41 seconds per minute on Editor.

A black house on stilts alone in a field of pale reeds, relit by Glimr from dawn to night
A014_C003 00:02:41:12sun 71°
06:10 dawn · drag the sun
Drag the sun to relight the shot06:10  dawn  ·  3800 KFilmed at 12:30 under flat cloud. Every other hour is AI.

Used by video teams on
1,212 projects in 2026

“We lost the sun on day two. Glimr relit 41 shots to evening in nine days of post, and we booked zero reshoot days.”

Ottilie Marsh, director of photography, Fennick Pictures

dawn
3800 K

Chapter 1 of 4

Pick any hour of the day.

Set a time and Glimr rebuilds the sky and relights every surface in the frame, so the shot looks filmed at that hour.

Chapter 2 of 4

The AI reads the scene first.

Glimr measures depth, materials and each light source from the footage alone, so you skip the green screen and the set scan.

Chapter 3 of 4

Shadows track the new sun.

Lower the sun and every shadow stretches to match it, frame by frame, even when the camera moves through the shot.

Chapter 4 of 4

Add light sources in post.

Turn on any window or lamp in the frame. Glimr casts its glow onto nearby surfaces, so the light falls where it would on set.

The reed house moving from dawn through the noon plate to golden hour and night as the page scrolls
One shot, four hoursRelit in Glimr
Source: overcast, 12:30Render: 41 s per minute of footage

Chapter 1 of 4

Pick any hour of the day.

Set a time and Glimr rebuilds the sky and relights every surface in the frame, so the shot looks filmed at that hour.

Chapter 2 of 4

The AI reads the scene first.

Glimr measures depth, materials and each light source from the footage alone, so you skip the green screen and the set scan.

Chapter 3 of 4

Shadows track the new sun.

Lower the sun and every shadow stretches to match it, frame by frame, even when the camera moves through the shot.

Chapter 4 of 4

Add light sources in post.

Turn on any window or lamp in the frame. Glimr casts its glow onto nearby surfaces, so the light falls where it would on set.

The reed house moving from dawn through the noon plate to golden hour and night as the page scrolls
One shot, four hoursRelit in Glimr
dawn
3800 K

Chapter 1 of 4

Pick any hour of the day.

Set a time and Glimr rebuilds the sky and relights every surface in the frame, so the shot looks filmed at that hour.

Chapter 2 of 4

The AI reads the scene first.

Glimr measures depth, materials and each light source from the footage alone, so you skip the green screen and the set scan.

Chapter 3 of 4

Shadows track the new sun.

Lower the sun and every shadow stretches to match it, frame by frame, even when the camera moves through the shot.

Chapter 4 of 4

Add light sources in post.

Turn on any window or lamp in the frame. Glimr casts its glow onto nearby surfaces, so the light falls where it would on set.

The reed house moving from dawn through the noon plate to golden hour and night as the page scrolls
One shot, four hoursRelit in Glimr
dawn
3800 K

21:40 Match

Every camera, one grade.

Six shots from one travel reel, filmed on two cinema cameras, a phone and a drone over three days. Pick a reference frame and Glimr matches the rest in 38 seconds.

Barn at sunset, ungraded
Barn at sunset, matched to the reference frame

CAM A

5600 K reference

Hillside cabin, green cast, ungraded
Hillside cabin, green cast, matched to the reference frame

DRONE

green cast → matched

Hillside cabin, green cast, ungraded
Hillside cabin, green cast, matched to the reference frame

DRONE

green → matched

Mountain cabin, magenta cast, ungraded
Mountain cabin, magenta cast, matched to the reference frame

PHONE

magenta → matched

Open plain, cold, ungraded
Open plain, cold, matched to the reference frame

CAM B

7200 K → 5600 K

Valley house, oversaturated, ungraded
Valley house, oversaturated, matched to the reference frame

CAM A

day 3 → matched

White house on rocks, flat, ungraded
White house on rocks, flat, matched to the reference frame

CAM B

log → matched

6 of 6 matched

4 cameras, 3 days, matched in 38 s

22:30 Looks

Share a grade with one link.

A Look saves light and color as one preset, so it holds on any shot. Share the link and everyone on your team starts from the same grade.

23:15 Demo

Try the AI grade in your browser.

This is the Glimr panel, running live on this page. Change the hour, white balance or Look and the viewer updates as you drag.

The Salt Road / Reel 2 / A014_C003Glimr 3.4
Shots
Viewer showing the reed house shot with the current settings
18:47 golden hourWB 5600 KLook: None1:1
Window lights
Look
Waveform

Push the hour past 21:00, then switch the window lights off and on.

A black cabin on stilts over pink granite, relit to a sunset for the Halden & Fisk campaign

05:30 Customer · Halden & Fisk

“One gray weekend and a client who wanted sunsets. We relit 23 shots in two days of post, and every client note was about pacing.”

Rasmus Halden, director, Halden & Fisk

A black cabin on stilts over pink granite, relit to a sunset for the Halden & Fisk campaign

05:30 Customer · Halden & Fisk

“One gray weekend and a client who wanted sunsets. We relit 23 shots in two days of post, and every client note was about pacing.”

Rasmus Halden, director, Halden & Fisk

A black cabin on stilts over pink granite, relit to a sunset for the Halden & Fisk campaign

05:30 Customer · Halden & Fisk

“One gray weekend and a client who wanted sunsets. We relit 23 shots in two days of post, and every client note was about pacing.”

Rasmus Halden, director, Halden & Fisk

06:12 Pricing

Start free. Add seats as you grow.

Every plan includes AI relighting and camera matching. Paid plans add practical lights, shared Looks and 4K and HDR export.

Free

$0

forever

For testing the AI on your own footage.

  • 5 hours of footage a month

  • Relight and Match

  • 1080p export

Editor

Most teams start here

$24

a month, billed yearly

For solo editors and colorists who deliver every week.

  • 60 hours of footage a month

  • Practical lights and Looks

  • 4K and HDR export

  • Plugin for the major editing apps

Studio

$66

per seat a month, billed yearly

For post houses and in-house teams, from three seats.

  • Unlimited footage on dedicated machines

  • Shared Look library

  • Review links with frame notes

  • SSO and audit log

Prices in USD. Trials need no card. Cancel from your account at any time.

Free

$0

forever

For testing the AI on your own footage.

  • 5 hours of footage a month

  • Relight and Match

  • 1080p export

Editor

Most teams start here

$24

a month, billed yearly

For solo editors and colorists who deliver every week.

  • 60 hours of footage a month

  • Practical lights and Looks

  • 4K and HDR export

  • Plugin for the major editing apps

Studio

$66

per seat a month, billed yearly

For post houses and in-house teams, from three seats.

  • Unlimited footage on dedicated machines

  • Shared Look library

  • Review links with frame notes

  • SSO and audit log

Prices in USD. Trials need no card. Cancel from your account at any time.

06:25 Questions

Before you sign up.

The reed house at dawn

06:40 Start free

Bring your flattest shot. Relight it free.

5 free hours every month. No card needed.

glimr

AI relighting and color grading for video teams.

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